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Panel II of The Story of Nastagio degli Onesti
Painting ID:: 135
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Sandro Botticelli
Panel II of The Story of Nastagio degli Onesti
1483
Museo del Prado, Madrid
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Madonna and Child, Two Angels and the Young St. John the Baptist
Painting ID:: 9993
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Sandro Botticelli
Madonna and Child, Two Angels and the Young St. John the Baptist
c.1467.
Tempera on panel
Galleria dell' Accademia
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Madonna della Loggia
Painting ID:: 9994
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Sandro Botticelli
Madonna della Loggia
1467Tempera on panel
Galleria dell' Accademia
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Madonna in Glory
Painting ID:: 9995
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Sandro Botticelli
Madonna in Glory
1469-1470.
Tempera on panel
Galleria degli Uffizi
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Madonna of the Rosegarden
Painting ID:: 9996
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Sandro Botticelli
Madonna of the Rosegarden
1470
Tempera on panel
Galleria degli Uffizi
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Sandro Botticelli
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Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s |
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Related Artists::.
| Emmanuel de Witte | Pierre Gautherot | Carl Ludwig Christinec | |
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